Friday, January 23, 2009

Il Portiere di notte (1974), Liliana Cavani
The Night Porter


Charlotte Rampling plays Lucia, a former concentration camp prisoner, who was "involved" with Nazi officer Max (Dirk Bogarde) during her imprisonment. Their involvement was more emotionally and mentally sado-masochistic than physically. The war ends, Lucia is released, and goes on to marry a famous orchestra conductor. Meanwhile, Max is waiting hand and foot on wealthy people as a fancy hotel's night porter. By some crazy coincidence, Lucia and her husband end up staying at Max's hotel. She and Max stalk and spy on each other, she tells the husband to leave without her, and Max and Lucia start where they left off. They probably would have gotten away with it too, if it weren't for Max's meddling Nazi friends hoping to keep the dream alive. It's kind of a Romeo and Juliet story for people who really love being bored.

I watched this as part of my ongoing quest to see every movie in the Criterion Collection. It seems as though this is a well-liked and highly regarded film in the "controversial mainstream S&M-lite" genre. It is often compared to Last Tango in Paris. I'd have to agree in the sense that they were both shocking in the 1970s, but 30 years later, they're just dull and pretentious. The infamous "Concentration camp prisoner dresses as a topless Nazi and sings a song in German to entertain a roomful of Nazi officers" segment is usually hyped up as the pinnacle of the film. It sounds at least kind of interesting, right? Well, save yourself two hours, because it's not.

I can't even really see why this is in the Criterion Collection. I don't see how it is important enough to be preserved in such a manner. The cinematography was amateurish and the acting wasn't all that great. Just because a movie gets banned doesn't make it good.

Grade: C-

1 comment:

Dr Doc (dlcs) said...

i sure wish they still made the old 1950's b grade monster movies.